Uncompromising dedication is the prerequisite for Strieder’s unique development, only it enables new discoveries. Coincidences are therefore not events out of nowhere, but insights that reveal themselves when their time has come.
Anna-Maria Ehrmann-Schindlbeck, text excerpt from the MONAS catalogue
Lebt und arbeitet in der Region Rhône-Alpes/F und in Karlsruhe/D
- 1961 Born in Innsbruck/A
- 1984 – 1990
- Akademie der bildenden Künste, Stuttgart/D
Studies sculpture (Prof. Brodwolf)
- 1990 Academy Award
Akademie der bildenden Künste, Stuttgart/DE
- 1994 Award for Drawing,
Foundation Louise Hornung, Lyon/F
Scholarship of Ministerium für Unterricht, Kunst und Kultur, Wien/A
Residency Egon Schiele art center in Krumau/CZ
- 2012 Helmut Baumann Award, Göppingen/D
Consistency and determination, as Markus F. Strieder’s works reveal, characterise their creator in a special way. On the one hand, because their shaping requires energy and will, supplemented by the experience that years of persistent testing and discovery create. On the other hand, because their depth requires a sustained and unreserved preoccupation with the essence of human existence.
Anna-Maria Ehrmann-Schindlbeck in catalogue “Monas”, Galerie der Stadt Tuttlingen, 2018
Anyone who encounters Markus F. Strieder’s work can experience that it does not require many words. What fascinates the viewer time and again about Strieder’s works is the art of simplicity, the poetry of the reduced forms, the sensual power of form and material, which here fall into one – the quiet, yet urgent presence with which these strangely alien, yet engaging steel sculptures and drawings confidently confront the viewer.
Christoph Bauer in the catalogue “Gravité”, Kunstmuseum Singen 2009