Works

By setting a sculpture in vibration himself, the viewer can experience that the sculptural material metal is not, as he actually expects, only solid, heavy and dimensionally stable, but can rather be elastic, tense and mobile, if it is shaped accordingly. I try to let the vibrations become as slow as possible by stretching the form as far into the room as the statics just allow.

Only when the sculpture is stretched in this way, it vibrates slowly enough and then allows the vibrations to be perceived with the senses and felt with the soul.

Dreibandscheibe
Schwebende Kuben
Kugel
Schaukler, groß
Schlängelndes Band
Kletternde Kuben

My sculptures take on an almost perfect geometric shape (sphere, cone, cube, etc.) when they are “at rest” and in the earth’s gravitational field.
In doing so, they develop a special aesthetic: the viewer senses that the work contains more than he first realizes; perhaps he also perceives the inherent tension that has freed the sculpture from gravity.

But by releasing – through a little impulse – the work from rest, an (inner) vibration can also arise in the actor, namely amazement, enthusiasm and joy.